I guess if i was on tour and had played a couple of gigs in a great venue, and was ready to go back there a coupla years later only to be told ''we're moving you somewhere less epic, you'll have to turn the volume down a bit, it's a monday night'' i'd be a bit pissed off. Then in 2010 at Sub Club, still a great gig, but a much smaller venue, more intimate and more subdued atmosphere (lots of chin strokers there that night / monday night, in comparison to Art School where the crowd can get a bit mental down the front ). When you guys are on tour do you ever get to an unfamiliar venue, look around the place and have any concerns about how good it's gonna be? or do you put all your faith in the organisers to get the right venue? or get pissed off at a venue change at towns you've played in previous years? I saw you in glasgow 20 which were at the Art school (organised by Numbers i think), great venue, and the sound was massive. and pretty much every sound we use is tuned, technically the whole thing is melodic production is music, all the same thingģ.i don't think of it as hiding. there is no deeper intention or thing that we're trying to accomplish beyond thatĢ. well it kind of is in a way, but our intention is to interact with the world in a way that makes stuff that we like appear. Thanks for doing this to the ridiculous extent that you have.ġ. We have added Showreels to the app You can now listen back to your favourite broadcasts. In some of your work, you seem to make a thing out of hiding or disrupting melodical content, in the midst of percussion or disharmony/microtonality (An example would be the post 4 minute mark of Lcc on Untilted, it's like you're intentionally bordering on breaking the track). Do you ever feel like you lose track of your musical output?ģ. It's clear from most of your posts and your music that you are ultra-committed to getting your production process just the way you want it. In the left hand menu select 2 Showreels, a new window will open, from there you can play previously recorded material. Your music has the strangest intricate combination of hard and soft, dry and wet, fat steady beats and arrythmic cacophonia. A 'List Links' button is added add the top of the page, and populates a textbox with newline delimited links of all the broadcasts on. A button to mark a broadcast as saved is added next to the download link. The download link is added next to the social media icons. I know how hard it is to put stuff like an artistic vision into words, but many of your tunes literally go all over the place and I'm curious how that connects with the intention that seems to be going on behind all that work.Ģ. Adds links to download Showreel broadcasts on Mixlr. Is it something purely to keep the mind interested, or do you both find it the best way to communicate that deeper artistic intention behind Autechre as a whole? Being a synesthete myself, looking at the context of the artwork and album track flows, a lot of it suggests a kind of synergistic communication - you mentioned Autechre being bigger than the both of you consciously and I found this a fascinating statement. Jesus Christ is our lovely Saviour and Bridegroom. I want to ask about all that complexity in your music. Word and Spirit Feasts is a generation of hungry people God is raising with the quest of experiencing intimacy with Jesus and His miracle power, and also to take this experience to the world. If you’ve got any comments or feedback, we want to hear about it.I've been trying real hard to think of something worth asking about, I'm unsure if these questions are that and/or have been phrased in some way before, but here goes.ġ. Keep updated on the latest news and product developments by connecting with us on the following channels:Ī full range of support articles can be found at our support centre: Heart the moments you like and spread some love as you listen live.Login and register with email, or listen without signing up.Follow your favorite creators and receive a push notification when they go live. Listen to any Mixlr broadcaster while on the move.Share links to your recorded broadcasts (for paying broadcasters).Invite people to listen and chat in real-time.Use your built-in mic, headset, or plug in an external device.You could extend this up to two minutes, but be aware that most people you share it with will likely be looking through lots of showreels, and won’t always have time to watch yours from start to finish. Join a growing world of content creators - talk show hosts, musicians, spiritual organizations, sports teams and more - who put audio first. Typically, a showreel should be around one-minute long, but some filmmakers whittle this down even further to just 45 seconds. Description of Mixlr - Broadcast Live Audio Mixlr is the simplest way to broadcast live audio.
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